Chameleon @ Hot Docs 2015

2 May 2015 / by Jacob Dubé
Featured Image for Chameleon @ Hot Docs 2015 courtesy of Chameleon
Film
Chameleon @ Hot Docs 2015

Ghanaian investigative journalist Anas Aremeyaw Anas isn’t like other reporters. He has been called “the James Bond of investigative journalism” for his unique style and talent in breaking news stories. In Chameleon, director Ryan Mullins gives an unrestricted look into the life of the mysterious faceless man who aims to “name, shame and jail.”

Ghanaian investigative journalist Anas Aremeyaw Anas isn’t like other reporters. He has been called “the James Bond of investigative journalism” for his unique style and talent in breaking news stories. In Chameleon, director Ryan Mullins gives an unrestricted look into the life of the mysterious faceless man who aims to “name, shame and jail.”

 

Chameleon has the same feel as a Hollywood-style spy movie. The film follows Anas and his crew as they take down a pastor accused of raping children, an abortionist who insists having sex with his patients is part of the process, and a spiritualist cult that beats children and forces them into marriage. In order to get first hand footage of the crimes, Anas goes undercover with a hidden camera. His elaborate disguises have included dressing up as a woman, a sheik and even a rock.

 

Because of his penchant for undercover work and the very-real death threats he receives, Anas’ face is never shown in the film. Although Mullins tries to hint to as much of his appearance as possible, it is either blurred out or hidden under one of his collection of bucket hats. His face isn’t hidden for dramatic effect; the danger to his life is very present. The parallels between Chameleon and Hollywood spy films stop there. This gives the entire film a sense of realness and urgency that drives it forward.

 

The film also includes many people talking about the state of journalism. It condemns sensationalism and praises ethics and sticking to the facts. Although Anas has been internationally praised for his investigative work, there are times in the film where it feels like he’s more of a detective than a reporter. He works very closely with the police and is directly involved in the arrests, occasionally handcuffing himself to the suspects. Some of his undercover work’s sole purpose is to call the authorities when he gets close enough. This level of involvement raises questions about how ethical his work really is.

 

Chameleon centres more on Anas’ professional life rather than his personal one, but there is so much there that the film doesn’t leave you with more questions. It is an exciting ride from start to finish, and will be the most interesting time you could have staring at the back of a head.