I recently interviewed Saskatchewan singer-songwriter Marissa Burwell about her latest album, Before The Hour’s Up. It feels like a personal memoir where Burwell reflects on memories, emotions, and experiences in a vulnerable and honest way.
This sense of Authenticity is what Burwell hopes listeners take away from her album. She shares, “Each of my songs is so honest. In this last year or two, I have been trying to work on my craftsmanship of writing and not just writing out of big emotions, but that is where a lot of my writing comes from.”
In my opinion, the title track “Before The Hour’s Up” summarizes these emotions in a thought-provoking way. It was written after a therapy session where Burwell left feeling frustrated with herself. As she wanted her problems to be solved in that hour. This frustration and uncertainty are evident in both the vocals and the rich electric guitar solo played by Chris Dimas, which is my favourite aspect of the production. The melody progression in the guitar solo slowly moves up and down, mimicking the feeling that in life we are always growing and changing.
Another song on the record that discusses the journey of self-growth is “Tight Grip.” I love the gradual production build, as each instrument enhances the song’s message without overpowering Burwell’s healing vocals. There is a reoccurring instrumental line through out the song which feels like a gentle nudge to keep going. Another captivating aspect of the production is how the notes in the lead guitar are staccato, adding an additional percussion texture.
Lyrically, “Tight Grip” is about finding the middle ground between wanting control and learning to let go; sometimes it is hard to face the truth. Burwell is also questioning how she fits in, yet there is a sense of hope that, in time, she will figure it out.
Burwell’s lyrics are deep and poetic, enabling the listeners to relate to Burwell’s experiences in a tangible way, while also documenting the lighter moments in life. In the song “Minneapolis,” Burwell talks about a road trip she took from Regina to Minneapolis. On the drive, she noticed a lot of billboard advertisements for lawyers, inspiring this clever line.
“Laughing about the Billboard defence attorney marketing, we’ll be leaving before we know it.”
I love the specific reference of the lawyer advertisements, as it allows listeners to laugh along with her, and the relaxed mood of this song is perfect for the open road.
Listening to this record brings me peace, healing, and comfort. The Mello yet hopeful tone is a spark to keep fighting. I was also captivated by the detailed production and vulnerability in the lyrics, making this album one of my favourites this year.
Photos Credit: Sarah Bulmer